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Keyword: Frank O’Hara

Close Listening w/ Charles Bernstein

On November 11, 2009, Marjorie Perloff spoke with Charles Bernstein on Close Listening. Their conversation and a reading from The Vienna Paradox have been archived at Pennsound.You will also find links at Charles Bernstein’s blog and Ron Silliman’s blog. Click through directly to the audio files at Pennsound below. Close Listening readings and conversations at [...]


O’Hara Introduction

INTRODUCTION, 1997 From Frank O’Hara: Poet among Painters new ed. U of Chicago Press, 1997 Marjorie Perloff When Frank O’Hara: Poet Among Painters was published twenty years ago, O’Hara was a coterie figure, adored by his New York School friends and acolytes, especially by the painters whose work he exhibited and wrote about–but otherwise regarded [...]


The Ecstasy of Always Bursting Forth Rereading Frank O’Hara

Rereading Frank O’Hara

Frank O’Hara, Selected Poems, ed. Mark Ford. New York: Afred A. Knopf, 2008), 265pp. $30.00

Published in Lana Turner: A Journal of Poetry & Opinion, 1, Fall 2008

Song

Is it dirty
does it look dirty
that’s what you think of in the city

does it just seem dirty
that’s what you think of in the city
you […]


Watchman, Spy, and Dead Man: Johns, O’Hara, Cage

Modernism / Modernity, 8, no. 2 (2001): 197-223.

How does the flag sit with us, we who don’t give a hoot for Betsy Ross, who never think of tea as a cause for parties?

–John Cage, “Jasper Johns: Stories and Ideas”[1]
In a sketchbook for 1964, Jasper Johns began to make notes for his paintings Watchman […]


Writing Poetry after 9/11

Published in American Letters & Commentary (2002): 18-23.

–Good writers are those that keep the language efficient. That is to say, keep it accurate, keep it clear. . . .

The fogged language of swindling classes serves only a temporary purpose. . . .

A people that grows accustomed to sloppy writing is a people in process of losing grip on its

[…]


A Step Away From Them Poetry 1956

Lecture given at University of Copenhagen, September 1997

One of the most acclaimed poetry books of 1956 was Richard Wilbur’s The Things of This World, published by Harcourt, Brace. Here is the title poem:
The eyes open to a cry of pulleys,
And spirited from sleep, the astounded soul
Hangs for a moment bodiless and simple.
As false dawn.
Outside the open window
The morning […]


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