The Sound of Poetry / The Poetry of Sound

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ISBN 9780226657424, 9780226657431
Citation:
Perloff, Marjorie and Craig Dworkin, Eds. The Sound of Poetry / The Poetry of Sound Chicago: The University of Chicago Press, 2009.
Contents:

The sound of poetry / the poetry of sound / Marjorie Perloff and Craig Dworkin 1
Prelude: Poetry and Orality? / Jacques Roubaud (translated by Jean-Jacques Poucel) 18

Part I. Translating Sound.

Rhyme and freedom / [...]

Conceptualisms Old and New

Published in Parkett, 2007

Before conceptual art became prominent in the late 1960s, there was already, so Craig Dworkin has suggested in his “Anthology of Conceptual Writing” for Ubu Web (http://www.ubu.com/), a form of writing identifiable as conceptual poetry, although that term was not normally used to discuss the chance-generated texts of John Cage and Jackson Mac Low or the “word events” of George Brecht and La […]

Introduction Young American Poets

Yang (Antwerp, Belgium), 182 (Summer 1998): 183-85.

In the 1980s, “language poetry” was such a dominant force in U.S. avant-garde circles that we are only now beginning to realize that something we might designate as “post-language” poetry has come into its own. Peter Gizzi and Elizabeth Willis, for example, studied at Buffalo and Brown with Charles Bernstein, Susan Howe, and Rosmarie Waldrop, yet Gizzi’s […]