Afterimages: Revolution of the (Visible) Word

published in Experimental, Visual, Concrete: Avant-Garde Poetry since the 1960s, ed. K. David Jackson, Eric Vos, & Johanna Drucker (Amsterdam-Atlanta: Rodopi, 1996), pp. 335-344 and Symphoposium, passim.

In 1965, Ian Hamilton Finlay wrote to Ernst Jandl, “I am not considered to be a poet here . . . mostly, Scotch poets . . .  like to think they are thinkers, full of very serious […]