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	<title>Marjorie Perloff &#187; audio</title>
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	<description>Modern and Postmodern Poetry and Poetics</description>
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		<title>1991 Radical Artifice talk updated by Pennsound</title>
		<link>http://marjorieperloff.com/2010/10/14/1991-radical-artifice-talk-updated-by-pennsound/</link>
		<comments>http://marjorieperloff.com/2010/10/14/1991-radical-artifice-talk-updated-by-pennsound/#comments</comments>
		<pubDate>Thu, 14 Oct 2010 23:20:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[events]]></category>
		<category><![CDATA[lectures]]></category>
		<category><![CDATA["aldon nielsen"]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[pennsound]]></category>

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		<description><![CDATA[From Al Filreis: We at PennSound have just segmented an interview with Marjorie Perloff conducted by Aldon Nielsen for the Incognito Lounge in Palo Alto, CA, November 12, 1991. Here are the clips: introduction by A.L. Nielsen (0:51): MP3 work on Frank O&#8217;Hara (7:13): MP3 &#8220;The Futurist Moment, poetic movements, and marginalized works (7:47): MP3 [...]]]></description>
			<content:encoded><![CDATA[<p>From <a href="http://afilreis.blogspot.com/2010/10/radical-artifice-and-other-topics-1991.html" target="blank">Al Filreis</a>:</p>
<blockquote><p>We at PennSound have just segmented an interview with Marjorie Perloff conducted by Aldon Nielsen for the Incognito Lounge in Palo Alto, CA, November 12, 1991. Here are the clips:</p>
<li>introduction by A.L. Nielsen (0:51): <a href="http://media.sas.upenn.edu/pennsound/authors/Perloff/Nielsen Interview/Perloff-Marjorie_01_Introduction_Interview_Incognito-Lounge_Palo-Alto_CA_11-12-91.mp3" target="blank">MP3</a></li>
<p>
<li>work on Frank O&#8217;Hara (7:13): <a href="http://media.sas.upenn.edu/pennsound/authors/Perloff/Nielsen Interview/Perloff-Marjorie_02_work-on-OHara_Interview_Incognito-Lounge_Palo-Alto_CA_11-12-91.mp3"  target="blank">MP3</a></li>
<p>
<li>&#8220;The Futurist Moment, poetic movements, and marginalized works (7:47): <a href="http://media.sas.upenn.edu/pennsound/authors/Perloff/Nielsen Interview/Perloff-Marjorie_03_The-Futurist-Moment-poetic-movements-and-marginalized-works_Interview_Incognito-Lounge_Palo-Alto_CA_11-12-91.mp3" target="blank">MP3</a></li>
<p>
<li>&#8220;The Poetics of Indeterminacy&#8221; and John Cage (15:02): <a href="http://media.sas.upenn.edu/pennsound/authors/Perloff/Nielsen Interview/Perloff-Marjorie_04_The-Poetics-of-Indeterminacy-and-John-Cage_Interview_Incognito-Lounge_Palo-Alto_CA_11-12-91.mp3"  target="blank">MP3</a></li>
<p>
<li>the avant-garde and post-modernism (7:57): <a href="http://media.sas.upenn.edu/pennsound/authors/Perloff/Nielsen Interview/Perloff-Marjorie_05_the-avant-garde-and-postmodernism_Interview_Incognito-Lounge_Palo-Alto_CA_11-12-91.mp3"  target="blank">MP3</a></li>
<p>
<li>&#8220;The Radical Artifice,&#8221; poetic language, and authentic speech (13:16): <a href="http://media.sas.upenn.edu/pennsound/authors/Perloff/Nielsen Interview/Perloff-Marjorie_06_The-Radical-Artifice-poetic-language-and-authentic-speech_Interview_Incognito-Lounge_Palo-Alto_CA_11-12-91.mp3"  target="blank">MP3</a></li>
<p>
<li>L=A=N=G=U=A=G=E poets (7:42): <a href="http://media.sas.upenn.edu/pennsound/authors/Perloff/Nielsen Interview/Perloff-Marjorie_07_LANGUAGE-poets_Interview_Incognito-Lounge_Palo-Alto_CA_11-12_91.mp3"  target="blank">MP3</a></li>
<p>
<li>Wittenstein and Gertrude Stein (6:52): <a href="http://media.sas.upenn.edu/pennsound/authors/Perloff/Nielsen Interview/Perloff-Marjorie_08_Wittenstein-and-Gertrude-Stein_Interview_Incognito-Lounge_Palo-Alto_CA_11-12-91.mp3"  target="blank">MP3</a></li>
<p>And the complete interview (1:06:36): <a href="http://media.sas.upenn.edu/pennsound/authors/Perloff/Nielsen Interview/Perloff-Marjorie_interview_Incognito-Lounge_Palo-Alto_CA_11-12-91.mp3" target="blank">MP3</a>. Here is the link to PennSound&#8217;s <a href="http://writing.upenn.edu/pennsound/x/Perloff.php" target="blank">Perloff</a> page.</p></blockquote>
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		<title>Close Listening w/ Charles Bernstein</title>
		<link>http://marjorieperloff.com/2009/12/16/close-listening/</link>
		<comments>http://marjorieperloff.com/2009/12/16/close-listening/#comments</comments>
		<pubDate>Wed, 16 Dec 2009 08:59:25 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[appearances]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[biography]]></category>
		<category><![CDATA[Charles Bernstein]]></category>
		<category><![CDATA[Ezra Pound]]></category>
		<category><![CDATA[Frank O'Hara]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Wallace Stevens]]></category>
		<category><![CDATA[WB Yeats]]></category>
		<category><![CDATA[Wittgenstein]]></category>

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		<description><![CDATA[On November 11, 2009, Marjorie Perloff spoke with Charles Bernstein on Close Listening. Their conversation and a reading from The Vienna Paradox have been archived at Pennsound.You will also find links at Charles Bernstein&#8217;s blog and Ron Silliman&#8217;s blog. Click through directly to the audio files at Pennsound below. Close Listening readings and conversations at [...]]]></description>
			<content:encoded><![CDATA[<p>On November 11, 2009, Marjorie Perloff spoke with Charles Bernstein on <strong>Close Listening</strong>. Their conversation and a reading from <em>The Vienna Paradox</em> have been archived at <a href="http://writing.upenn.edu/pennsound/x/Perloff.html" target="blank">Pennsound</a>.You will also find links at Charles Bernstein&#8217;s <a href="http://epc.buffalo.edu/authors/bernstein/blog/#12-09-09" target="blank">blog</a> and Ron Silliman&#8217;s <a href="http://ronsilliman.blogspot.com/2009/12/photo-by-ben-friedlander-pierre-joris.html" target="blank">blog</a>. Click through directly to the audio files at Pennsound below.<br />
<a href="http://writing.upenn.edu/pennsound/x/Close-Listening.php" target="blank"><strong></strong></a></p>
<p style="text-align: center;"><a href="http://writing.upenn.edu/pennsound/x/Close-Listening.php" target="blank"><strong>Close Listening</strong></a><br />
<a href="http://writing.upenn.edu/pennsound/x/Close-Listening.php" target="blank"><strong> </strong></a> readings       and conversations at <a href="http://artonair.org/" target="blank">Art International Radio</a><br />
Clocktower Studio, New York, November 11, 2009</p>
<p><strong>Program One</strong>:<strong><em>Vienna Paradox</em> reading</strong><br />
Perloff  reads from her memoir <em>Vienna Paradox</em> (New Directions, 2004) about growing up in Vienna, and her subsequent move, just before the holocaust, to Riverdale.<br />
Complete       Program (26:49): <img style="border: medium none ; margin-right: 4px; cursor: pointer;" title="listen" src="http://static.delicious.com/img/play.gif" alt="" width="12" height="12" /><a href="http://media.sas.upenn.edu/pennsound/authors/Perloff/Perloff-Marjorie_Close-Listening_Vienna-Paradox_11-9-09.mp3" target="blank">MP3</a></p>
<p><strong>Program Two: Conversation with Charles Bernstein<br />
</strong>Perloff talks about <em>Vienna Paradox</em>, the influence of her experience as a refugee on her literary criticism, her perspective on being a second-language writer of English, the unknown 1950s, her graduate school days with the Christian Brothers at Catholic University of America, irony and Jewish identity, the importance of Karl Kraus and Ludwig Wittgenstein, and the pernicious influence of Martin Heidegger on postwar thought.<br />
Complete       Program  (27:21) :<img style="border: medium none ; margin-right: 4px; cursor: pointer;" title="listen" src="http://static.delicious.com/img/play.gif" alt="" width="12" height="12" /><a href="http://media.sas.upenn.edu/pennsound/authors/Perloff/Perloff-Marjorie_Close-Listening_Conversation-1_11-9-09.mp3" target="blank">MP3</a></p>
<p><strong>Program Three: Conversation with Charles Bernstein</strong><br />
Perloff talks about a set of schisms that seem to divide 20th century poetry: Yeats versus Futurism; Robert Lowell versus Frank O’Hara; and Wallace Stevens versus Ezra Pound. She reflects on the ongoing legacies of radical modernism for contemporary poetry.<br />
Complete       Program  (29:27): <img style="border: medium none ; margin-right: 4px; cursor: pointer;" title="listen" src="http://static.delicious.com/img/play.gif" alt="" width="12" height="12" /><a href="http://media.sas.upenn.edu/pennsound/authors/Perloff/Perloff-Marjorie_Close-Listening_Conversation-2_11-9-09.mp3" target="blank">MP3</a></p>
<p>Close Listening produced by Charles Bernstein for Art International Radio<br />
Studio Engineer: Jeannie Hooper:<br />
© 2009 Marjorie Perloff and Charles Bernstein</p>
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